Clare Smyth

Clare Smyth is one of Britain’s best chefs.  Her restaurant “Core by Clare Smyth” in Notting Hill has three Michelin Stars and is one of London’s most sought after restaurants.  She has been named the World’s Best Female Chef by the World’s 50 Best Restaurant, been the Good Food Guide’s ‘National Chef of the Year’, She got a perfect score by the Good Food Guide. She’s won the Chef Award and she was appointed Member of the Order of the British Empire - to mention a few of her achievements.  Clare is basically “Da Bomb!”

This shoot was a cover shoot for Observer Food Monthly Magazine.  A real pleasure working with her and her restaurant.  

Shot for Observer Food Monthly Magazine

Ravneet Gill - Diwali

First time I worked with Rav was for a mothers-day shoot.  I was commissioned to photograph her, her mum and her grandma in one shot.  When they turned up I did not only meet very nice, fun and friendly Rav, but her mum and grandma were great characters too.  Such a great trio!  I have to admit that there was a slight language barrier between Rav’s grandma and me - but somehow the humour and a sense of understanding each other was definitely there. 

So - it was with great pleasure that I received a commission to photograph the trio again.  This time to coincide with Rav’s new book release - as well as the celebration of light day, Diwali.  Rav had also brought some friends over to help enhance the feeling of festivity. 

In order to give an impression of us celebrating Diwali - I wanted to create a dark and atmospheric room with candles and food decoration.  I was sent props to use and the shoot was to take place in Rav’s place. I was given 2 hours to setup and shoot, but Rav was happy to extend the time a little when I got there.  2 hours was tight, but especially as I got there to see a 3 meter diameter glass dome above the room we were shooting in, and it was a bright sunny day.  One thing is to expose the daylight away with flash, but I also needed to bring some atmosphere out with the candles.  I took what blankets I had, ripped off the paper backdrop and got ready to cover as much of the glass dome as I could.  However - the glass dome was 6 meters above me so the only way to get to it was to climb through a tiny window, in the top end of Rav’s bedroom window, to get to the roof.  I am already not a very flexible with my almost 2 meter height, seeing me climb through that window was a sight to behold.  (I never knew I could get my knee behind my ears - a move I had to perfect to get out.). I covered what I could of the window and got on with setting up the grand Diwali celebration table with the props I had.  We managed to create a setting that had some of the intended atmosphere.  Rav’s friends and family were not only lovely to work with, but managed to look and act relaxed and festive.

Rav comes across as a nice and friendly person when on TV. Having met Rav on several occasions now, I can truly vouch for her being the friendly, fun, and a sparkly, kind person.  Having met her friends and especially her family, also gives a depth to understanding who Rav is, and she is exactly as you would hope from seeing her on TV.  

I hope to work with Rav again, and if her mum and grandma is there too then that’s a-ok with me.  Maybe next time we’ll get them all posing as Charlie’s Angels.  I can especially see Rav’s grandma Biji getting into that…

Shot for Waitrose Food Magazine

Massimiliano and Raffaele Alajmo

I have too admit that the introduction to this trip to Padua didn’t bode well for an amazing meal.   We rocked up to a roadside hotel on the side of a semi industrial district of Padua, Sarmeola di Rubano, at about 11pm.  The hotel, only a few hundred meters from our final goal and objective of the trip, the acclaimed restaurant Le Calandre.  The hotel had closed and we had to call and wake up the staff to come and let us in.  There we were met with a hotel that felt like Miami Vice on a budget.  I eventually got to my room quietly hoping that the Le Calandre, a couple of hundred meters down the road, would be considerably better.

When I first saw the restaurant from the outside it didn’t look like we were up for much of an improvement.  The restaurant entrance and windows looked good, but the building looked more like a mix between a South of France building estate and an industrial warehouse.  However, as soon as we walked into the bistro that is in front of the restaurant itself, we realised we were somewhere special.  Le Calandre restaurant is run by the two brothers Massimiliano and Raffaele Alajmo.  Max (Massimiliano) is the chef and took the restaurant in 1992 and took it from one to two Michelin stars in 1996, making Max the youngest ever chef to get two Michelin stars at the age of 22.  At the age of 28 Max gained the restaurant its third Michelin star, making him the youngest ever chef to get that accolade.  The restaurant has maintained its three Michelin stars ever since and Chef Alajmo has been given the nickname “Il Mozart dei fornelli” (The Mozart of the stoves).

The restaurant is a family business run by the two brothers Max and Raf.  The adjoining bistro is run by their sister Laura.  The restaurants were previously run by their parents Erminio Alajmo and Rita Chimetto.  The family now run several of Italian and international restaurants as well as having a bakery section that supplies food to external shops, bistros, restaurants and cafes.  

So - when a chef like Max, receives me with open arms and insists that it is a true pleasure to be photographed by me, then it is a true sign of his humility and generosity.  We did not only get to eat the taster menu at Le Calandre, which was exceptional! - but we were also invited to dine in the Bistro and their new restaurant on St Mark’s Square.  For the latter we were transported on a wooden speedboat, not unlike what you see in a James Bond Movie.  

The restaurants run by the Alajmo family do not only provide excellent food, but also an experience that makes you smile and laugh, makes you excited and stimulate all your senses.  So - to call Max the Mozart of the stoves may be an understatement.  

Shot for Cook Magazine

 
 

Skye Gyngell

Experiencing the serene and calm environment of ‘Spring’ restaurant in Somerset House, London, is like a breath of mountain air in contrast to the busy street (The Strand) just outside.  The pure light and white tones are like the Greek sun in comparison to a grey London day.  This is not just the feel of the restaurant, but as Skye Gyngell walks in, I realise that this look and feel is a true reflection of the head chef herself.  Skye is Australian, trained in France and has previously worked as the food editor for Vogue.  She is also known for getting a Michelin star at her previous restaurant Petersham Nurseries.  All previous experiences have now come together it the perfect harmony which is Spring Restaurant.  

Oh - and to make it a little bit more perfect, it also prides itself in being a plastic free restaurant.  (That is, all apart from the bin bags, which there is no current alternative for.)  

Shot for The Observer Magazine

Asma Khan

The first time I met Asma was when I sat down for delicious lunch at Sabrina Ghayour’s place, after having completed a shoot with Sabrina. I remember clearly that Sabrina was boasting about how good a chef Asma was, and told me of her pop up restaurant in Soho.  A few years later, Asma has not only got her own restaurant in the middle of Covent Garden, a restaurant that is packed full every day, but she is also the first British chef to have appeared on the popular Netflix TV series  ‘Chef’s Table’.  Not a bad undertaking at all!

I have since worked with Asma a couple of times, but this shoot for ‘Cook’, Corriere della Sera’s food magazine, was the best one.  We had two days with Asma, eating at her restaurant, being introduced to her flat where her dinner club dining experiences all started, but best of all - experiencing Asma!  Asma is warm, genuine and very funny.  Her restaurant is made up of a team of chefs that she is personally connected to, all women whom lived in London but missed a community and a connection with their home countries.  Asma gave them a community in the kitchen and they together created a cultural experience through their food.  

My biggest regret with the shoot was that I had a massive cold, so I could not get the full experience of the food.  So it’s now a case of queuing up in a line with celebrities such as Keira Knightley, David Schwimmer and more to get the full experience again.  Unless - (“Asma - are you reading this??? - nudge, nudge…”)

Shot for Cook Magazine

Secret recipe - Jack Monroe and Monica Galetti

It’s always impressive to see chefs at work.  Mixing up their magic potions and presenting it as if it should be in some art gallery.  But every chef has some secret, go-to ingredient.  Maybe its something to help the dish look good, or it could be to give the dishes that signature taste.  This feature for the Observer Food Monthly revealed what Monica Galletti and Jack Monroe had up their sleeves.  Monica’s go-to secret is charcoal.  She uses it to introduce a shock factor.  The look of the dishes differs and it gives a slight smoky flavour.  

Jack Monroe however, uses Sage and Onion crumbs to give that extra flavour to many of her homemade dishes.  

Not only did I try to show the chefs and their ingredients in this shoot, but I needed to portray the feeling of secrecy.  So I took the idea of using charcoal literally for Monica and I brought in the secret agent suitcase and a good few handfuls of Sage for Jack.  

Shot for Observer Food Magazine

 
 

Vitantonio Lombardo

I have been very lucky in my career and had the chance to travel all around the world to work with some of the world’s best chefs. This trip for Corriere Della Sera’s ‘Cook’ magazine took me to Matera in the south of Italy, right in the middle of Spaghetti Western country.  The town Matera is a city built into the mountains in the middle of this desolated landscape.  The houses and hotels are basically caves.  The town had only recently been made into a modern city.  It previously didn’t have a modern plumbing system which meant that the town had been left to disintegrate, considered poor and nobody wanted to live there.  It became a dumping place for rubbish and a playground for drug users until the government put a lot of money into it and modernised it.  Work began in the 1970’s and it is now one of the ‘must see’ destinations in southern Italy.  The houses, (or caves,) are still there but now they have built in plumbing and are desirable to locals, businesses as well as tourists.  The town has been the backdrop to many films, Mel Gibson’s The Passion of the Christ being one of them.  

The Michelin star chef Vitantonio Lombardo packed down his Micheline star restaurant in Salerno and opened up shortly after in Matera, getting a Micheline star almost immediately, being the first restaurant in Matera to get one.  

I spent 2 days in Matera, photographing the town, but also Chef Vitantonio Lombardo and his restaurant.  Lombardo invited us to a 2 hour lunch experience which ended with a dish where we had to snog a pair of lips up from a plate, not using any cutlery, wearing earphones with an Italian love song on.  It’s not many exclusive restaurants you see the diners pushing their whole plate into their faces, licking up a lipped shaped cake - but it was strangely nice…. Almost like being a teenager abroad, experiencing your first holiday romance:  Slightly unsure how you approach the ‘lips’, the fear of the unknown, but when the lips (desert) meet your lips, you can’t stop…

Shot for Cook Magazine

Michael Caines

I travelled to near Exmouth to photograph the chef Michael Caines at his hotel/restaurant/vineyard.  His boutique hotel, the Lympstone Manor Hotel is a grade II listed building built in the 1760’s and looks out over Exmouth and its own vineyards. As you look out over the river mouth, you can imagine the owner of the manor, back in the late 18th century, standing on the balcony looking over the boats filled with silk and tobacco coming in.  An idyllic setting and a first class manor house and restaurant.  

Michael Caines was trained under Raymond Blanc, was head chef at Gidleigh Park when it got its second Michelin star and has been awarded an MBE.  Caines lost his right arm in a car accident in 1994 but that hasn’t stopped him.  A man with determination!

This shoot was in collaboration with BA and their ‘Love Letters’ series, a celebration of 100 years in aviation.  

Shot for Bridge Studios and BA

Nigella Lawson

This is the second time I have worked with Nigella Lawson.  She’s known as a domestic goddess, she’s the queen of home cooking, and she’s the empress of deserts - (the latter is a title I have made up).  She’s known, respected and appeals to the young and the old and the rich and the poor alike.  She is the image of Britain that is adored in the UK and loved abroad.  So, when Nigella turns up at a shoot she knows what to do, and she know’s she’s in charge.  The rest of us fall in line.  If she were to be Prime Minister, then no-one in the UK or abroad would dare to question.  Her titles as ‘queen’ and ‘goddess’ are not titles that are just thrown out there without reason.  They are titles that she’s earned but through hard work, determination and total control.  If a cake was a currency, then it would have a picture of Nigella on it!

Shot for Waitrose Food 

 
 

Adeline Grattard

I arrived in Paris on a hot summers day to photograph Adeline Grattard at her restaurant Yam’Tcha. Adeline is a Michelin Star chef known for her fusion between French and Chinese cuisines. Her restaurant is a fine dining restaurant that has used Chinese ways of cooking and combined them with fresh French ingredients and influences. Her recipes are unique and together with her husband Chi Wah, they also run a tea and dim sum takeaway, just around the corner from Yam’Tcha. One of her signature dishes is “The Story of Our Lives” which is a bao stuffed with stilton cheese.

The fine dining restaurant had the definite air of exclusiveness when you entered the door. But besides the Maitre De, the intense concentration by chefs and waiters, the restaurant also had a section dedicated to tea. On day two of our shoot we had the taster menu at Yam’Tcha. We had a different tea to accompany each course. A great way to appreciate the food and drink, without relying on the different flavours of wine, beer and champagne.

Apart from the amazing fresh ingredients Adeline sources, her cooking uses steaming techniques and fiery woks to bring out that Chinese taste. The restaurant decor combined the exclusive gold tones with dreamy, misty wall decorations.

On this shoot I collaborated with the great people at Cook magazine that accompanies the Italian national newspaper Corriere della Sera.

Shot for Cook - Corriere della Sera

Norbert Niederkofler

A while ago I was contacted by Angela Frenda and Tommaso Galli from Corriere della Sera in Italy. The newspaper was about to start a monthly food magazine, “Cook”. The magazine wanted to give the Italian food magazine market a new and fresh look. Tommaso and Angela’s passion for the food industry left me in no doubt that they were serious about including the best of the best and the magazine would serve as an inspiration for Italian food enthusiasts. And, as far as food enthusiasts are concerned, the Italians have a particular passion for food that you don’t see often in other cultures.

For the first issue of Cook we went to photograph Norbert Niederkofler in the Dolomites. I have worked with many chefs in my time as a photographer. Some have inspired me with their passion and ideas and others have inspired me with impressive locations and settings. If you want to be truly impressed in all areas of the visual and palatable sensory organs then head up to the three Micheline star chef Niederkofler. His restaurant, a part of the Hotel Rosa Alpina in the Dolomites, has views you can kill for as well as food which looks great, tastes delicious, is sustainably sourced and focuses on no waste. What more can you ask for?

When we arrived at the hotel, just over 3 hours drive from Verona we had already lost our breath by the sheer beauty of the curvy roads leading up the mountains. Norbert then ushered us into his car and we continued up to the top of the nearby mountain. Just above the tree line we found ourselves between white/grey rocks and a white/grey sky. Not a bad start after having woken up to a London night sky earlier that morning.

Norbert was generous with his time and knowledge. He spoke of his passion for food but also for the place we found ourselves. A place with so much history as it finds itself on the boarder of three nations and is one of the most connected ski resorts in the whole world, with a ski slope network that is so extensive it reads like a spider’s web on acid.

However, this was not a season for skiing. Mid July was more a month of motorised mountain bicycles (which were everywhere you looked,) and pristine green fields with wildflowers. In every valley you should see Julia Andrews’ lookalikes running down with arms stretched out. My lungs were filled with air so pure it reverted the ageing process and my lungs retreated into infancy stage.

We had the true pleasure of eating at Norbert’s kitchen table. A table looking over the kitchen and the focus, art and craft that it takes to be a 3 Michelin star kitchen. The food was served to us and the inspiration and thought behind every dish was carefully explained to us. The ingredients were all locally sourced and in season. An impressive task considering the inhospitable climates you face in the alps. Even more impressive considering that they have the same ethos all year around. For example, ingredients and flavours created by ingredients such as Olive oil and lemon juices had been replaced with ingredients that could be locally sourced. Nothing was wasted, but many dishes came in two parts. One dish would consist of the more luxurious part of an animal for example, whilst the next dish would be a great tasting dish made of the parts that were not used in the first dish. And so it went on, every dish a joy to the pallet.

The day after we woke up and headed up to a near by mountain top where the hotel owned a cabin. The kitchen staff and Norbert were serving up a mountain picnic. I’m not talking a baguette on a rock with a nice view, but a carefully thought through 5 course meal cooked to perfection, with a view that could make a grown man cry. After the meal we headed down to one of Norbert’s local suppliers who showed us around his organic farm perched on the mountain side.

Admittedly, seeing this in the summer light makes it all seem very idyllic. The snow covered mountains in the winter would also seem like an idyl to the eye. But I have a feeling that the existence that Norbert has chosen, to locally source and be true to the place where he works and lives, demands great discipline and hard work. Many of the dishes served during the summer months cannot be planned far ahead as it all depends on what the local suppliers can provide. And the winter menus need to be considered and prepared in the summer unless they only want to serve wild Groundhogs with snow and icicles on the side.

Shot for Cook - Corriere della Sera

Sat Bains

A two and a bit hours drive up to Nottingham, 5am on a Friday morning, took me back about 20 years to my early days of London where I used to travel up to Nottingham to hang out with my friends at weekends. Back then I had no car and hitchhiked. From sunny evenings where I was picked up instantly and was told all the stories that the driver had obviously never told anyone - knowing full well that they’d never see me again, to people trying to sell me their God and sign me up to their view of the afterlife, to getting stuck in a traffic jam on the M1 with someone high on speed and even having a man in suit in his brand new Mercedes, promising to take me out of his way, provided he could change into some shorts first…. No thank you!

Now, 20 years or so later, I find myself driving up in my own sensible car, heading for a Michelin star restaurant in Nottingham (how times have changed) Sat Bains is the only Michelin star restaurant in Nottingham I am aware of. It lies in the most unlikely place you can imagine; Just off a main road, under some power cables, it is impossible to join the network of cars again after a meal due to blind corners with fast cars wizzing by, next to a tobacco factory that used to smell of apple pies (if you take my assistant Pat’s word for it - also an ex-Nottingham student).

The restaurant itself is a real gem. With its own vegetable garden and chefs opening oysters under the blue skies, it also has a resident rabbit. The idea behind this shoot was not only to photograph Sat Bains in action, his big presence working with his chefs in the kitchen, but we also wanted to show the softer side of Sat. The hard side was the man who goes to the gym every day, goes hunting and looks and acts very much like the alpha male. The softer Sat was the man who loves his soft, fluffy bunny, Junior. (In fact, the only thing you are not allowed to joke about is the bunny, and what it would taste like on a silver platter.)

The telephone conversations prior to the shoot were something to be transcribed in itself. The picture editor from OFM and I discussed how we could photograph Sat with the bunny, with a nod to the kitchen and food, without it looking like Sat was about to cook it.

Sat looking like a bigger, stronger, sleeker version of Jason Statham made it hard to think of a solution to this problem. If he wore chef’s whites then there would be an instant indication to him eating the bunny. Without a chefs jacket we had nothing that said food, and it may as well have been a cover for Pets Are Us. As sometimes happens with these ideas being bounced back and forth is that an idea appears out of the blue. Sometimes it seems like a throw away idea, as it is something you could imagine in a cartoon, but in real life it would be impossible. I mentioned to Michael that if the bunny could wear a chefs outfit too, then it would look like they worked together. (Last time I checked, the chefs outfits for bunnies were all sold out due to high demand from Buggs Bunny’s kitchen), so Michael continued the joke with suggesting ‘chefs hat with ear holes’. ‘Chefs Hat’ - I thought…. It stuck to my brain like a throw away plaster in the swimming hall changing room sticks to your feet.

That evening, just before going to bed, I asked my wife as a joke, (but also as I knew that if it could be made, she could do it); ‘Can you make a chefs hat for a rabbit?’ Without hesitation she asked me to pass her paper, staples and tape. 5 minutes later, there it was. My eyes light up and I knew the shoot was saved.

The rest of the shoot was to show Sat as the hunter, the sportsman, the iron fisted head chef, the alpha male. Well, that was easy. A tractor wheel, shotgun and a kitchen filled with liquid ice smoke should cover that feel.…

Massimo Bottura

There is nothing more inspiring than an enthusiastic Italian. It’s been proved to me time and time again. A true enthusiastic Italian has the ability to project his/her excitement, to involve you, and in the end you will feel as passionate about the subject as they do. Furthermore they have the ability to seem genuinely interested in you and your wellbeing, you walk away feeling that you have made a new true friend.  This is very much the case with Massimo Bottura. A warm and welcoming man with an enormous passion for food, art and life. The passion was reflected in a kind of boisterous behaviour, the kind of behaviour that us in Northern Europe have learned to control as it is of course not cool to show too much emotion and enthusiasm. 

I had the pleasure of spending 3 days around the Modena area with Massimo and the editor of OFM, Allan Jenkins. A little road trip to soak up where his inspirations come from and to get a feel of his childhood district.  

The greatest experience was of course to be able to dine at Massimo’s 3 star Micheline restaurant Osteria Francescana. His legendary dishes ‘5 ages of Parmesan’ and of course the world’s best Tortellini (undisputed) were like having ballerinas dancing on my tongue. But second to that experience was meeting a lady who has been working closely with Massimo since the beginning. An old lady who taught Massimo everything there is to know about traditional Italian cooking and helped keep him on the straight and narrow in those early days.  We had listened to Massimo tell us of her importance in his life for hours before we were eventually brought to her house, a stones throw away from Massimo’s first restaurant. To witness the closeness, playfulness and the warmth between them was enough to give all of us goosebumps, and dare I say a tear in our eyes. A feeling of envy for the Mediterranean way of being where emotions are being worn on the sleeves and a warm hearted tickle is a friendly gesture that’s made between people of any age as a gesture of affection, on display for everyone to see.

The Seven Ages of a Chef

I love it when I get a commission to shoot a set of images that have a specific feel, a portfolio of portraits. So when Kit from the Observer called me about this specific story, to photograph a chef from each decade in the style of the Dutch Masters, then I jumped at the idea. We had it all nailed down, a date and time for each of the 7 chefs, Georgina in her 20’s, James in his 30’s, Anna 40’s, Giorgio 50’sRick 60’s, Albert 70’s and Joyce 80’s. Location houses, props and backdrops all sourced. Some images directly inspired by specific paintings and others more loosely inspired and influenced by the work of the masters. So it was unfortunate that on the day of the shoot with Mr Albert Roux had to call in sick. Never the less, the set of images that I was able to do felt complete and I was happy with the portfolio.

The chefs who did take part are all extremely dedicated to the art of cooking and their presence did make this set of images what they are. Everyone from the young and eager Georgina to the older, experienced and relaxed Joyce were all a true pleasure to work with.