Jason Bruges

The greatest thing about working with artists is that most of the time you get to include their work in the images.  Sometimes, it makes it harder, but most of the time it gives you the chance to create images of someone, using props that are interesting in themselves.  This is especially the case when working with artists such at Jason Bruges.  Jason does not only create great big installations but works a lot with light and reflective surfaces.  Like a playground for me! 

Jason, genuinely interested in the photography side of the shoot as well as imagery as a whole, was great to work with.  His studio was two warehouse rooms filled with half finished projects.  All at my disposal.  The shoot was to create images for Jason that he could use for his own PR.  We used his up and coming projects including robots and large ‘disco balls looking’ wall installations which are to be installed on an underground station in Norway. A great big water tank in construction, that will eventually be installed so that sound waves break the light and create patterns on the ceiling of the space it is in.  A genuinely interesting and fun shoot with a very inspirational and friendly man.  

Shot for Jason Bruges

Sarah Solemani

This shoot with Sarah Solemani took place just around the corner from where I live.  Although Sarah is now based in LA, she grew up in Hackney, London.  The backdrop for this shoot was Ridley Road Market, now a bustling culturally diverse market - but once the battleground for the 62 Group, a collection of anti-fascists who stood up against the rising Neo-Nazi movement in Britain after WW2.  This conflict was the basis of Sara Solemani’s BBC drama, based on the book Ridley Road by Jo Bloom.  

The film deals with a part of history that I did not know about before Sarah told me about it.  What is now such a culturally diverse community and market is miles away from the Neo-Nazi conflict of post war Britain.  

This shoot was more a matter of walking through the market with Sarah, searching for backdrops that I felt would be suitable as we went along.  Sarah, nice and relaxed in what is an environment she is used to from her younger days, easily chatted to me and the people in the market alike.  One man proposed to her and I got invited to hang out in LA with her! - no doubt in my mind that Sarah is as nice as they come.  

Shot for Observer New Review

Lauren Laverne

Our radio DJs have been saviours for many of us people during lockdown.  This shoot with Lauren Laverne was shot in true Covid lockdown fashion; outside and socially distanced.  Just outside the BBC Radio broadcast building in Central London, we waited,  ready to photograph Lauren as she finished her breakfast show for BBC6 Music.  It was requested that I took some shots of her with the iconic BBC entrance behind her, but when I looked across the street, I saw a building site that made for a much more interesting image.  Especially in contrast with Lauren’s flowery dress.  

Shot for Observer New Review

Skye Gyngell

Experiencing the serene and calm environment of ‘Spring’ restaurant in Somerset House, London, is like a breath of mountain air in contrast to the busy street (The Strand) just outside.  The pure light and white tones are like the Greek sun in comparison to a grey London day.  This is not just the feel of the restaurant, but as Skye Gyngell walks in, I realise that this look and feel is a true reflection of the head chef herself.  Skye is Australian, trained in France and has previously worked as the food editor for Vogue.  She is also known for getting a Michelin star at her previous restaurant Petersham Nurseries.  All previous experiences have now come together it the perfect harmony which is Spring Restaurant.  

Oh - and to make it a little bit more perfect, it also prides itself in being a plastic free restaurant.  (That is, all apart from the bin bags, which there is no current alternative for.)  

Shot for The Observer Magazine