Evanna Lynch

Evanna Lynch became famous through the Harry Potter series where she played Luna Lovegood - the best character name since Honor Blackman played Pussy Galore in a James Bond film.  She fit her character in the Harry Potter films so well that even JK Rowling has named her as her favourite, or at least most accurately portrayed out of the film series.  Since then she has made noticeable performances on stage and on screen. As well as becoming a prominent activist for animal rights and veganism she has also been a very important figure in promoting healthy self-esteem and body image for young girls, due to her own struggle with Anorexia Nervosia.  The latter was also the subject of her memoir published last year, ‘The Opposite of Butterfly Hunting: The Tragedy and Glory of Growing Up’ - for which I was commissioned to take pictures of Evanna to be used on the book sleeve and to promote the book. 

Evanna was such a dream to work with.  She was modest and softly spoken, kind and fun.  Working with Evanna was like working with a good friend.  A steady but easy pace, filled with interesting conversations about her experiences, success and struggles.  Talking about such issues as eating disorder from the perspective of having experienced it yourself takes enormous courage - and Evanna does this with brutal honesty.  

Shot for Headline Publishing

David and Dolly Baddiel

This shoot with David Baddiel and his Daughter Dolly was to support an article in the Guardian Saturday Magazine about social media and its addictive qualities.  David had made a documentary for the BBC talking about the issues.  His daughter gives the view of a young person and also someone whom has suffered from anorexia and other self esteem issues, fuelled by the pressures caused by social media.

Although we played with a shadowy representation of social media in these images, it was the more simple portraits that appealed to me the most.  It was evident that David and Dolly were very close and it was a pleasure to be a witness to the closeness between them.

Shot for The Guardian Saturday Magazine

Dame Eileen Atkins

Dame Eileen Atkins, winner of a BAFTA, EMMy award and Olivier Award, was appointed the Commander of the Order of the British Empire and Dame Commander of the Order of British Empire.  Now - how’s that for an opening sentence on your Wikipedia page?!  

The thing about Eileen (and yes - I was told to drop the Dame when I spoke to her so I continue on a more casual first name basis here too), is that she is so casual and pleasant to deal with.  Her place, a wonderful and charming house in the West London, is a long way away from where she grew up, as the daughter of a meter reader in Tottenham.  She had that charm that comes with the more senior generation of the British acting world.  There is a relaxed attitude there, a playfulness.  I have seen the same in many of the British traditional actors and actresses.  They started acting because they loved the work, not to become famous, and the joy they feel due to living the life they have always wanted to is worn on their sleeves.  

Eileen was 100% lovely!  Fun, charming, natural and playful - all at once.  She has just released her autobiography (up to the age of 30) and I bet it will be a great read.  Just seeing the pictures from her young days which are in the book is great fun.

Shot for Observer New Review

Elif Shafak

I had the pleasure of working with Elif in her house.  A place with an amazing living room where her office desk is too.  Elif is from Turkey and has written books like The Bastard of Istanbul, The Forty Rules of Love, Three Daughters of Eve and 10 Minutes and 38 Seconds in This Strange World.  Her literature touches on political issues, women’s rights, minority rights and freedom of speech.  Her political voice addresses issues around Turkish and European politics, democracy and pluralism.  Dealing with topics such as child abuse and Armenian genocide means she has made dangerous enemies.  A brave writer, yet not someone who comes across as being paranoid or threatened. 

Shot for Observer New Review

Ravneet Gill - Diwali

First time I worked with Rav was for a mothers-day shoot.  I was commissioned to photograph her, her mum and her grandma in one shot.  When they turned up I did not only meet very nice, fun and friendly Rav, but her mum and grandma were great characters too.  Such a great trio!  I have to admit that there was a slight language barrier between Rav’s grandma and me - but somehow the humour and a sense of understanding each other was definitely there. 

So - it was with great pleasure that I received a commission to photograph the trio again.  This time to coincide with Rav’s new book release - as well as the celebration of light day, Diwali.  Rav had also brought some friends over to help enhance the feeling of festivity. 

In order to give an impression of us celebrating Diwali - I wanted to create a dark and atmospheric room with candles and food decoration.  I was sent props to use and the shoot was to take place in Rav’s place. I was given 2 hours to setup and shoot, but Rav was happy to extend the time a little when I got there.  2 hours was tight, but especially as I got there to see a 3 meter diameter glass dome above the room we were shooting in, and it was a bright sunny day.  One thing is to expose the daylight away with flash, but I also needed to bring some atmosphere out with the candles.  I took what blankets I had, ripped off the paper backdrop and got ready to cover as much of the glass dome as I could.  However - the glass dome was 6 meters above me so the only way to get to it was to climb through a tiny window, in the top end of Rav’s bedroom window, to get to the roof.  I am already not a very flexible with my almost 2 meter height, seeing me climb through that window was a sight to behold.  (I never knew I could get my knee behind my ears - a move I had to perfect to get out.). I covered what I could of the window and got on with setting up the grand Diwali celebration table with the props I had.  We managed to create a setting that had some of the intended atmosphere.  Rav’s friends and family were not only lovely to work with, but managed to look and act relaxed and festive.

Rav comes across as a nice and friendly person when on TV. Having met Rav on several occasions now, I can truly vouch for her being the friendly, fun, and a sparkly, kind person.  Having met her friends and especially her family, also gives a depth to understanding who Rav is, and she is exactly as you would hope from seeing her on TV.  

I hope to work with Rav again, and if her mum and grandma is there too then that’s a-ok with me.  Maybe next time we’ll get them all posing as Charlie’s Angels.  I can especially see Rav’s grandma Biji getting into that…

Shot for Waitrose Food Magazine

Gareth Thomas

Having grown up in Norway, I have to admit that Rugby has never been on my radar.  However, having married a Welsh woman, the game came as part of the parcel.  I still have a hard time getting my head around all the rules, but I have started enjoying watching the game.  I also admire the physicality of the game.  The men and women who play the game sure aren’t afraid of a few bumps and bruises.

Gareth Thomas is welsh by name, and welsh by game!  Yes - one of the most well known and respected Welsh rugby players.  Not only has he shown guts and courage on the pitch, but he has also been open about his sexuality and having been diagnosed as HIV positive.  Gareth has had guts to come forward writing books about his experience, his sexuality and his diagnosis.  This shoot was for Gareth’s last book, a frank tale of his own life and experiences.  

This shoot took place at a golf club in Wales.  We had the changing room to our disposal.  Gareth, was as fun and kind as you’d hope he would be.  It’s a characteristic I find many of the rugby players have photographed are not brash or arrogant, but friendly and forthcoming.  

Shot for Penguin / Ebury Press

Philippa Perry

I have now worked with Philippa on 5 separate occasions.  I’ve photographed her with her husband Grayson, with her cat Kevin, with tears in her eyes leaving the screening of Toy Story 3 (and who did not shed a tear in that one???) and a couple of times on her own.  I hope Philippa doesn’t mind me saying that working with her is more and more like working with a friend.  Not only has she got her look down to a T with her colourful outfits, grey streak in the hair and colourful, thick framed glasses - but she genuinely just wants a shoot to be fun.  She treats it like a playground, which is a refreshing and welcoming attitude to a shoot that is supposed to be uplifting fun.  

Philippa is the new Agony Aunt for the Observer Magazine.  Taking over after 20 years of advice to the British public from Mariella Frostrup.  I have already sneakily asked Philippa for advice on a few issues when photographing her, and I have to admit, that if I was to write to someone to get advice on personal matters, then Philippa would be one of the first on my list.  Her replies just make sense.  I know that her role as an Agony Aunt for the Observer will be one filled with not only great advice, but also humour where and when appropriate.  In fact - if we all write in and get some advice then I firmly believe that this world will be a little more colourful and brighter, as we all emerge from our homes a little more confident in our own decisions and insecurities.  

So - take pen to hand, dig deep and get writing.  Lets get Philippa working hard for her money!

Shot for Observer Magazine

Grayson and Philippa Perry

Working with people several times allows for a different approaches and opportunities.  With some people, there may be a case of struggling to come up with new ideas, but in the case of Grayson and Philippa Perry that’s not a problem.  They’re a consistently moving visual subject.  Constantly evolving and always interesting.  I say that having photographed Grayson Perry 8 times, Philippa Perry 4 times - oh, and their cat once.  

In the true spirit of Corona lockdown, this shoot took place outdoors.  Just outside Grayson’s studio in fact.  All brick walls and little to hand that we could use as props. I had however brought my own little stash and was ready to roll.  Grayson and Philippa were hosting the second part of the Lockdown Art program.  A program that sees the couple talking to celebs about art, but also ask the public to enter their lockdown art.  (More series to come).

My boys were given a book called “Boys who dare to be different” from their Auntie Emma for Christmas.  It’s a lovely book that looks at people in history who have dared to stand out from what is considered the norm, and have excelled in what they have done.  One of the people mentioned in this book is Grayson Perry.  On the shoot I mentioned this to Grayson.  On the request of my kids, I asked him if what was written in the book was true.  The first comment from Grayson and Philippa in unison was “but I (Grayson)  am not different.”  It is a comment I should have seen coming from Grayson.  I also agree to a certain degree, whilst completely understanding why he is in the afore mentioned book.  Would Grayson have been mentioned in the book had he just done the art work and not dressed as Claire on occasions?  Probably not.  Does the book then put more emphasis on Grayson’s Claire than Grayson’s many art works?  Maybe.  But the truth is that Claire is in itself an art piece, and Claire, more so than the amazing ceramics and tapestry Grayson does, encourages young and old alike to be who they want to be, despite the norm that group pressure and society puts upon us.  

I do enjoy photographing Grayson as Grayson, or Grayson as Claire just as much.  I love photographing Philippa with her characteristic black and grey hair and unmistakable glasses.  Together - they bounce off each other, like raindrops on a freshly impregnated coat, like a bouncy ball in a school playground, like best friends after a long time apart, like they are each every second word in a sentence that slots perfectly together to make complete sense.  

I may not be considered the kind of friend that would call Philippa and Grayson to hang out and enjoy a glass of wine together, but when I’m on a shoot with them I feel very much like a friend. 

Shot for Observer New Review

Rob Brydon

My first shoot with Rob Brydon was way back when he played the taxi driver Keith Barrett. Since then I have been commissioned by several different publications to photograph him, I’ve shot a live DVD cover with Rob and the poster to his live standup tour. This shoot was promoting a youtube podcast series where he interviews other comedians and celebrities. The show is a result of Covid, and is an entertaining and fun podcast with Rob having a banter with close celebrity friends, comedians and actors he has worked with and knows well.  The beauty with Rob is that his comedy is not loud and in your face.  Working with him is like having a relaxed banter amongst friends with his sharp whit injected into the conversations.  He is a normal family dad, talking of his love for Bruce Springsteen and comedy films such as Daddy’s Home.  He doesn’t keep this part of his life separate from his comedy but incorporates it, and makes it flow as natural as it can be.  No point in taking yourself too serious, as that would only allow for you to be ridiculed by subtle comments perfectly placed.  Always a pleasure working with Rob and I can only hope I will do so many more times in the future. 

Shot for Observer Magazine