James O'Brien

It’s not long since I stopped categorising my newsletters.  One of the reasons I stopped was that some shoots just didn’t fit into my most common subject matters, and therefore got left behind.  For example, I sat on a folder with politicians and topical/political journalists without ever sharing these.  James O’Brien was one of those shoots - shot in September 2020, when the Covid lockdowns had given us a little breather to work normally again.  

This was a cover shoot with James O’Brien, the politically focused news radio presenter from LBC.  I first became aware of him around the time of the Brexit vote in 2016, and ever since he has become a cornerstone of reason in the conversation about Brexit as well as other politically news orientated causes.  

James turned up at the studio, forthcoming, friendly and modest.  That’s it with James - he’s a hard one to disagree with, but he’s always inclusive, open to listening and friendly.  People have called into his show only to be cut down by his masterful ability to argue his point.  However, he only cuts people off if their arguments are badly thought through or if they have been misled.  In fact, he always seems to enjoy a good discussion as long as the opposing argument is well founded. 

A second part of the shoot took place at LBC radio station in Leicester Square, central London.  Not the easiest place to rock up with 11 bags - especially as Covid restrictions still ruled and I was asked to come without assistant.  But nice to get him in his element.

Shot for the Observer Magazine

Laura Kuenssberg

It’s not long ago since I stopped categorising my newsletters.  One of the reasons I stopped categorising the newsletters was that some shoots just didn’t fit into my most common subject matters, and therefor got left behind.  For example, I sat on a folder with politicians and topical/political journalists without ever sharing these.  Laura Kuenssberg was one of those shoots - shot a few months before the Covid pandemic came and changed the world for good.

Laura Kuenssberg was the face of BBC news when it came to the politics of Brexit.  She is the one that took centre stage interviewing politicians.  She headed a Brexit podcast discussing constant changes and process in the negotiations.  She always comes across as serious, cut throat and a woman who gets straight to the point.  I expected nothing else on this shoot either, but met a more relaxed and friendly Laura.  Having just received the withdrawal agreement, Laura settled down in a corner of the room reading it through, page by page, waiting for me to set up.  This is a woman who’s life has been totally consumed by Brexit for several of years.  Late nights, early mornings, press conferences after press conferences and interviews after interviews.  Laura had no break.  Considering that the leadership changed hands two times after the Brexit results in 2016, Laura could be accused for being the one who knew more about the day to day dealings than anyone else, including prime ministers.  

Shot for Guardian Weekend Magazine

Kate Garraway

Many people have managed to sail through this epidemic without any major loss.  Of course, we have all felt it to some degree, but some of us have really felt the impact.  Kate Garraway is someone who has really suffered from having a loved one contracting Corona virus.  Her husband, diagnosed early on in this epidemic, was in a coma for 11 months and is still suffering from issues related to Covid.  Kate has always been very honest about her experience and shared her story with the world.  In this book Kate talks about her experience watching someone you love suffer from Covid and the terrible effects it can have on people and the family of the effected.  A pleasure working with Kate on this cover, where I was trying to show the vulnerability of Kate as well as her strength and resilience when faced with a terrible personal struggle.

Shot for Penguin Random House

Nish Kumar

The British have always been good at political comedy and political satire.  I remember being in the UK as a teenager and my granddad always watched Have I Got News For You - (a program that hasn’t changed in over 30 years and is still very good).  There have been many other programs finding the humour in the news and politics especially, and one of the current ones is the Mash Report with Nish Kumar.  Nish is known for Mash Report, but also his stand up comedy and other comedy performances often dealing with politics and news.  

So for this shoot with Nish I started thinking about what I could do to include a bit of humour and visually show that Nish deals with current events, news and politics in his humour.  I started thinking down the lines of using newspapers as props.  We all know the classic newspaper hats - but how about newspaper flowers, newspaper wigs, newspaper chairs and a newspaper cape?!  I spent an evening looking into how to make it all.  Emptied cupboards for tape and glue, found a good arts and crafts shop to get other bits and pieces, and lastly emptied my magazine stand for old newspapers.  

I had planned to have a boys drinks and catchup session with my friends from Norway over zoom.  Instead, I sat there, half chatting on zoom, whilst swearing over the newspaper roses for not doing what I wanted them to do.  I got there in the end, but instead of taking 30 minutes which I had at first thought would be the case, it took 5 hours. (Anyway - now I am an expert in case anyone is looking for someone to create newspaper props.)

Armed with my newspaper props I turned up at the south London studio to prepare the final things.  Nish turned up and we were ready to kick off.  Nice guy!  Just as you see him on TV.  We talked about his A-list friends whom I have worked with (James Acaster and Joel Dommet especially), the cricket club incident - (a live show at the cricket club where he was pelted with bread rolls - and they missed,) and his up and coming comedy show.  All to the backdrop of some slow dance country music.  

Shot for Observer Magazine

Jeremy Vine

Jeremy Vine is one of the nation’s most loved broadcasters. He is the voice of BBC Radio 2’s midday phone in, topical issues show.  The show covers all types of subjects as well as a regular feature about allotments - (who knew the latter would take off??)   Jeremy also hosts topical shows on TV such as the  “Jeremy Vine” show, first aired in 2018.  

I was fairly confident that I’d meet a nice man, but little did I know that he’d be so full of energy, give so much for the camera and be genuinely fun to work with.  I should maybe have realised that he could give the camera some unusual moves after reading some of the comments he got  when participating in Strictly Come Dancing: “a stork that had been struck by lightning”..  

Jeremy totally got where we were trying to go with the shoot..  He played ball and he gave his all.  His body shape allows him to throw out shapes that fit somewhere between slap stick, carry on films, cartoons and high fashion.  Jeremy’s talent is wasted on topical shows and radio - he should be a show man.  Enter a stage with big red curtains rolling back.  He should be at a place where he is able to use his physique and give us a visual show.  Maybe he should have a workout video - although I have the feeling it may break a few backs….

Shot for Event Magazine