Jeremy Vine

Jeremy Vine is one of the nation’s most loved broadcasters. He is the voice of BBC Radio 2’s midday phone in, topical issues show.  The show covers all types of subjects as well as a regular feature about allotments - (who knew the latter would take off??)   Jeremy also hosts topical shows on TV such as the  “Jeremy Vine” show, first aired in 2018.  

I was fairly confident that I’d meet a nice man, but little did I know that he’d be so full of energy, give so much for the camera and be genuinely fun to work with.  I should maybe have realised that he could give the camera some unusual moves after reading some of the comments he got  when participating in Strictly Come Dancing: “a stork that had been struck by lightning”..  

Jeremy totally got where we were trying to go with the shoot..  He played ball and he gave his all.  His body shape allows him to throw out shapes that fit somewhere between slap stick, carry on films, cartoons and high fashion.  Jeremy’s talent is wasted on topical shows and radio - he should be a show man.  Enter a stage with big red curtains rolling back.  He should be at a place where he is able to use his physique and give us a visual show.  Maybe he should have a workout video - although I have the feeling it may break a few backs….

Shot for Event Magazine

Joanne Froggatt

I photographed Joanne Froggatt at the National Theatre as a part of a series of Love Letters to the world, to celebrate 100 years of British Airways aviation.  The shoot was done in collaboration with the excellent team at Bridge Studio and was a part of a series of portraits of professionals and celebrities in the UK.  The shoot was a little rushed as I had to squeeze in between filming schedule, but Joanne came across as fun and easy going.  Admittedly, I have never watched an episode of “Downtown Alley” but she seems a mile away from how I imagine her to be featured there.  

Shot for Bridge Studios and BA

Simon Amstell

This shoot with Simon Amstell was to promote his directorial debut film Benjamin.  The film that hit the screens in 2019 and was met with critical acclaim.  

Simon will always be my favourite presenter of Never Mind the Buzzcocks, but that is now a long time ago and something for the history books.  Since then Simon has directed, done more stand up comedy, co-written Grandma’s House and a mockumentary set in a vegan  future.  The latter is a subject Simon cares a lot about, being a vegan himself.

I remember the first time I shot Simon, I expected him to be unforgiving in his comments and replies.  I was prepared for a bombardment of smart ironic comments and humorous observations for which I would be dumbstruck.  However, I met a kind and modest man.  This time was no different.  Simon complemented me on the previous shoot we did together, not just a comment he says to everyone I think, as he clearly remembered it and the images that resulted from that shoot.  

We discussed the ideas I had come up with in collaboration with the Observer Magazine.  A couple of the ideas didn’t quite seem to appeal to Simon, so I used the first half of the shoot to photograph what we had agreed on whilst think of new ideas.  As the shoot was to be the cover for the Observer Magazine’s fashion issue, it was important that the clothes were a main feature and helped create the mood.  At the same time we wanted a little humour with his stylish look.  It then struck me that photographing Simon as if he was naked, and the clothes were folded up, would give the image an element of comedy whilst focusing on the clothes too.  It would be a different look from any fashion shoot I can recall.  The venue had the perfect place to execute this without exposing Simon fully, Simon loved it and a fashion cover unlike any other was made.

I have great respect for Simon and what he has achieved.  His comedy is excellent and he only uses his sharp wit against people whom put themselves out for receiving it and can take it.   Simon has also a good sensitivity and moral compass that we could all learn from. 

Shot for The Observer Magazine

Sara Pascoe

Who do you think of when I say very smart, funny and blond?  Yea - ok, Dolly Parton - but also Sara Pascoe.  She came to the shoot with her little dog, 4 different Batsheva dresses, some serious high healed shoes and earrings unlike any I have ever seen before.  No stylist needed! 

Sara was promoting her book “Sex Power Money” - so what better way to promote that visual idea than to photograph her in a Batsheva dress to suit a Gingham backdrop.  For the last outfit we had a more blue look and finished the outfit with a pair of earrings made out of dolls’ heads.  Genius!!!!  

This shoot of Sara for The Observer Magazine had the headline “I wanted to be prime minister” - and I can guarantee you that she would be a 100% better prime minister than other blondes I can think of. 

Shot for the Observer Magazine

Windrush - Leave to Remain

I have recently been in a bit of a vacuum when it comes to create personal work.  I think I have lost the feeling that personal work counts and can make a difference.  Media stories seem to come and go a lot easier than before.  It’s as if people don’t listen; are over saturated with bad news and gruesome images.  Easy access to information, through internet means that everyone is screaming for attention.  While I used to think that a series of images with strong quotes could really make people listen and take count,  I now feel that if anyone notices at all, they soon forget and the work becomes just a part of the noise that was.

However, sometimes a story grabs me and makes me want to get involved. It makes me want to give a voice to a subject, to someone whom an injustice has been done to as well as to dig in deeper and gain a greater understanding.  I have to admit that it took a few headlines about the Windrush scandal in the UK before I really listened and decided to get involved.  But when I did I immediately knew what I wanted to do.  I wanted to give the people their routes back in the British society and forever show the scars Britain had given them.  

For more information please contact me direct.

Published in The Observer Magazine

A short introduction to the Windrush scandal - UK

Images and words by Pål Hansen

The Windrush generation refers to the immigrants who were invited to the UK between 1948 and 1971 from Caribbean countries such as Jamaica, Trinidad and Tobago and Barbados. 

The name derives from the ship MV Empire Windrush, which on June 22, 1948, docked in Tilbury, Essex, bringing nearly 500 Jamaicans to the UK.

The immigrants came at the invitation of the British government, which was facing a labour shortage due to the destruction caused by World War II.

The 1971 Immigration Act gave Commonwealth citizens who were already living in the UK indefinite leave to remain. 

2018 should have been a year where the UK celebrate 70 years since that first ship docked in Essex.  Instead a scandal over the treatment of members of the Windrush generation has become public during the last year, as a multitude of reports have come out about mostly elderly people being denied health treatment, public services, losing their jobs, becoming homeless and even facing deportation.  

Many of the Windrush generation had arrived as children on their parents' passports. And although they have lived in Britain for many decades - paying taxes and insurance - they never formally became British citizens. 

In April Caribbean diplomats called on the UK to resolve the issues faced by the Windrush generation.  As well as this a few MP’s stood up in Parliament to voice their opposition to this treatment of individuals.  David Lammy, the most prominent voice of these politicians, said it was a “day of shame” and continued to say "It is inhumane and cruel for so many of that Windrush generation to have suffered so long in this condition”. 

In April 2018, UK Home Secretary Amber Rudd apologised for the "appalling" treatment received by some of the Windrush generation. Amber Rudd later resigned due to the issues surrounding the Windrush scandal.  

Due to pressure from the Caribbean leaders prime minister Theresa May apologised to the Windrush generation for the way they had been treated. 

A promise of compensation has been given to the people effected, but how do you compensate someone who has; been refused urgent medical treatment, been fired from their jobs and as a consequence built up debts in order to survive, been refused re entry to the UK for 25 years after having traveled to the Caribbean to attend family funeral, having been refused entry to the UK for 13 years and consequently not seen his daughter, been held in detention with the threat to be deported, the lost opportunity to travel to Caribbean for a family funeral due to the fear of not being let back in to the UK and becoming homeless - sleeping on the streets for years.  

The Windrush generation have not only experienced a physical loss which compensation will go some way to replace, but the mental stress and the feeling of lost identity is irreplaceable.  

We are all defined by the people and world around us.  To be told that you do not belong to a world in which you have grown up and always seen yourself as one with is degrading and insulting.  Especially when you and your family have contributed to the thriving and developing of the community in which they live.

The immigration policies introduced by Theresa May in 2014 required landlords, banks, employers and the NHS to check people’s immigration status and deny them if they could not prove their right to be here.  Those rules became more stringent in  2016.  In 2010, landing cards belonging to Windrush migrants were destroyed by the Home Office. As a result it was up to the children of the Windrush generation to prove their residence status since 1973.  Some of the requirements the Home Office set to prove your right to remain in Britain was to provide 4 documents per year since 1973, something most of us would find impossible to do.

The desperate attempt for the government to reduce immigration numbers has lead to this inhuman treatment of individuals, mostly children of people whom were invited to Britain to help rebuild a war torn country.  They may have been born in the Caribbean but they grew up in the UK with British education and having paid taxes and NI contributions for decades.  Telling this group of people that they are no longer welcome in the country in which they grew up is much like being discarded by ones own family, to be left on the street without a home, job or an income.  The government’s treatment of the Windrush generation is disgraceful, shameful and with a complete disregard of individuals.  The policy has only one focus; to reduce the numbers of non British nationals to massage the numbers to look good for the public which fear immigration, integration and still believe that to be British you have to be white.



Chris Evans for Virgin Radio

If you live in the UK you know who Chris Evans is.  Either from having hosted Britain’s most popular Radio programs on Radio 1 or Radio 2 or for TV programs such as The Big Breakfast or Top Gear (where he was finally able to show his true love, cars).

This year we saw Chris move from Radio 2’s Big Breakfast show to Virgin Radio’s breakfast show.  For this occasion I got to meet the man and photograph him at his new studio near London Bridge.  

I have to admit I was expecting a man who was tired after having been on the radio for 3 hours, staring before sunrise.  However, a very tall, energetic, fun and friendly man turned, up after his early morning broadcast on Radio 2.  The images were used to promote the new show and could be seen on posters around London.  

Shot for Virgin Radio

Nigella Lawson

This is the second time I have worked with Nigella Lawson.  She’s known as a domestic goddess, she’s the queen of home cooking, and she’s the empress of deserts - (the latter is a title I have made up).  She’s known, respected and appeals to the young and the old and the rich and the poor alike.  She is the image of Britain that is adored in the UK and loved abroad.  So, when Nigella turns up at a shoot she knows what to do, and she know’s she’s in charge.  The rest of us fall in line.  If she were to be Prime Minister, then no-one in the UK or abroad would dare to question.  Her titles as ‘queen’ and ‘goddess’ are not titles that are just thrown out there without reason.  They are titles that she’s earned but through hard work, determination and total control.  If a cake was a currency, then it would have a picture of Nigella on it!

Shot for Waitrose Food 

 
 

Bill Pullman

Bill Pullman!  Where do I start?  What a legend!!!  This shoot, an early Saturday morning, was at the rehearsal rooms of the Old Vic where Bill was to perform the lead in the play All My Sons.

We had set up lights and backdrop and soon after, Bill turned up casually, with a plastic bag in hand filled with alternative shirts.  He’s a tall guy, and the beard I had got used to after watching The Sinner was long gone.  We shook hands and started to talk.  The problem with Bill is that he’s not only very interesting but he is also very knowledgable and interested in listening to whomever he’s talking to.  This means that we ended up talking for quite a while.  The dedicated hour for the shoot had slipped my mind.  Maybe I was thinking that we were both enjoying the meet, so we’ll always be able to get some more time on the end.  However, after a long chat I asked the publicist who was there if we could have more time after the shoot, and I was reminded that there was an interview to take place straight afterwards.  (Whoops!)

Down to business!  I was well prepared and ran Bill through the different setups and finished more or less on time.  We shook hands and off he went with the journalist.  After I had packed down I left my business card in his plastic bag with a note saying ‘Thank you!’.  A little later that day I got an email from Bill suggesting to meet again, inviting me to his mango orchard in California, of which I replied that he’s welcome to come to Hackney and see my purple sprouting broccoli.  

A few weeks later, Bill comes strolling off the train in Hackney.  He stops by the house and we enjoy a croissant and coffee.  The conversations were genuine and honest.  Bill is a true legend and a people’s man.   Celebrity status with Bill is just a byline - if not an obstacle - Bill is just that interesting and honest ordinary guy who you can imagine being a good friend for life.  

I hope I will get a chance to visit Bill in California one day, or he comes knocking on my door when next in town.  Until then I know I will be seeing him again, on a screen somewhere, doing an excellent job!

Shot for Sunday Times Culture

Time to move on; a goodbye to my assistant Pat Sampson!

I can at times stride up to a shoot, claiming my ground, produce the images needed and take full credit.   Some times I share that credit with picture editors, art directors or any other commissioning body, and sometimes I share the credit with the talent itself.  However, it is rare that photographers really credit the importance of a good assistant.  In order to produce the images I do, in order to work with the speed and efficiency I need to at times, it is essential that I work with a good assistant.  

For you who have worked with me during the last five years, you will know Pat, or Mr Pat Sampson for those of you who want to be formal  Not only do you know that he keeps his head down and does a really good job, but you also know that Pat is hard working, nice to talk to, fun to be with, a good listener and a kind soul.  

Being my assistant isn’t just about carrying equipment, setting up lights and backdrops, moving furniture, driving my car, making teas and coffees, looking after the talent, working on low res images, working on high res images, tidying the office, holding props, adding props to shots, being a hand model, painting, being an extra in a shot, delivering packages, collecting packages, filing, registering, setting up websites, writing emails…. and the list goes on.  (Yea - I hear you; what is it exactly I (the photographer) do???)). No - being an assistant is also about being able to act out any profession, body height and body width as I test out my shot before the talent arrives.  Some times being my assistant even has to be more than one person at the same time as I test the image.  Pat is a little over 6ft tall and with a thin build, but for my test shoot he’s been; 4ft tall, 6ft7 tall, big and round, small and skinny, a chef, an actor, a musician, a TV presenter, a rugby player, a sprinter, a comedian, a business man, a politician, an explorer, an artist, an illustrator, a psychologist, two generations at the same time, a prisoner, a mum, a dad, a group of chefs, a group of entrepreneurs, a pensioner, a writer, a photographer and an angel (to mention a few).  And an assistant is also someone who is always on time and turns up with no complaint, even if he’s struck by the flu, has a hangover from hell or has a black eye from a rugby match the day before.

And for you who think the assistant’s job ends there, you’re wrong.  Maybe the most important roll of the assistant still remains:  To be a good assistant you need to understand me, the photographer, know what I want before I know it myself and learn how to read my many moods.  You have to be by my side at least 8 hours 5 days a week.  You have to be quiet when I need the peace, you have to be able to chat and be interesting when I need the company. You have to laugh when I tell a joke, you have to agree with my moaning when I moan, you have to listen to my many hours of complaining and nod and smile on shoots as I tell ‘that story’ once again.  Yet as an assistant you have to be there as a colleague but also take the back seat.  

And if you can bare all that for 5 years, then I hope you lastly accept to become a good Friend!

Thank you Pat!  It’s been a true pleasure working with you.

Crystal Rasmussen

The variety of my work and the people I work with is what keeps me going. In this case I was commissioned to shoot Tom Rasmussen, aka Crystal Rasmussen at his home in South London. Tom has just written a book called Diary of a Drag Queen and if the Observer Magazine’s feature is anything to go by then it will be a very interesting read.

Tom greeted us as Tom. I was to shoot him without makeup first and then document the process of getting Crystal ready. Tom stood in the doorway of his bedroom smoking a roll up. We set up for the first shot and let Tom go to change into Crystal. Another cigarette break later and he was at his makeup table, layering up makeup like I’ve never seen before. He told me of his struggle of being accepted. Not just by people in small community town of Lancaster, but also from family. His openness and honesty was striking and touching. An other indication that this book will be a must read for all.

I have to admit that I was always sceptical of how he would carry off the look carrying a goatee. The makeup was complete and Tom only had the beard and wig to go. He stepped into his bathroom and a couple of minutes later he stepped out as a redhead with a glittering beard. He’d only gone and completed a look that would put any L’Orêal Paris representative to shame.

Crystal, (just as nice as Tom was btw) enjoyed small cigarette breaks between setups. We had the run of his place and in the end I asked if we could hit the road. Outside, in the middle of the street an older man walked passed and could not help but look, whilst an other lady stopped to ask: “Have you just moved in?” Strange that Crystal never had been noticed by his neighbour before I thought, but as Crystal said - “Daylight is a drag queen’s worst enemy”. It all made sense. This is of course a night time look, dedicated to the fun of the midnight hour.

Shot for The Observer Magazine

Chris O'Dowd

The tall, slightly disheveled Chris O’Dowd has now moved from The British IT Crowd to the big screen in Hollywood. He still has one foot firmly anchored in the UK, but he permanently resides in LA. Maybe to get closer to Silicon Valley, but I personally think it’s more to hit the big time and big screens.

I shot Chris before, when he starred in the TV comedy Family Tree. That time I remembered a quiet O’Dowd and I expected the same this time. Chris came in to the studio casually carrying a man-bag. A little early he slouched down on one of the chairs and waited for my ‘Go’. I took the time to sit down and talk to Chris about the shoot we did and what’s been going on. He was a lot more chatty than I remembered. That Chris twinkle in the eye and a few snappy comments to let me know that he was ready to rumble.

Chris was fun to shoot. Ok - so he turned down a few of my suggestions saying he didn’t want to come across like another comedian, mentioning no names. But instead of leaving me hanging, desperately trying to come up with other ideas, he took it upon himself. A perfect combination of subtle humour, nice shapes and oddity. The thing about Chris is that his humour works best when he’s not doing much. Something that became clear during this shoot but also when you see him on screen. It must be a nice feeling to know that if you’re not doing well, then do less.

Shot for Sunday Times Culture

Romesh Ranganathan

My shoot with Romesh Ranganathan was to support an extract from his book published in the Guardian Weekend Magazine. Having read a little snippet of the book it focused on how Romesh had been criticised for a lot of his comedy by pulling out the race card. He explains his reason for this, mainly that there are a lot of racists out there, and tells of several of episodes where he has experienced blatant racism. So, we wanted to do a shoot with Romesh, not just pulling out comedy poses, but we wanted to bring in cultural references and the address the issue that Romesh feels people are trying to sensor his comedy as it may be uncomfortable listening.

The issue of censorship was the first one we tried to cover. Tape over the mouth and then some over the rest of his face should be a good illustration of this. I had purchased 3 different types. The last thing I wanted to do was to leave Romesh with a ‘waxed’ strip of beard, above and below the lips. Not only would this maybe look a little odd, but Romesh was also on the way to watch another comedian at the Hammersmith Apollo, and we though it would be rude if he stole the show with a new beard style. So, I volunteered. (If you wouldn’t do it to yourself then don’t do it to others.). I placed the gaffe tape over my beard and mouth, felt the sweat drip as I imagined the pain that was to come, and ripped off the tape. Phew!!! It only served as a beard trim, pulling out 3 hairs only. It was safe, Romesh had witnessed the procedure and felt at ease with the idea.

The shoot commenced, and as usual I try to strike up a conversation with my subject to make them feel at ease and to make the shoot a little more amicable. However, after a few minutes, a few questions asked, I was struck by how rude Romesh was not to answer any of my questions. He looks at me, wide desperately questioning eyes… then it struck me that it is difficult to answer when your mouth has been gaffa'd up.

When the tape was removed and we could commence (beard still in place), Romesh was chilled and fun to deal with. Apart from some straight shots I also wanted to include a 6x9 meter Union Jack flag, (made by my wife Gemma btw) and try to see if we could create a Union Jack turban that Romesh could wear. The latter would allow us to show the cultural integration of his Hindu heritage with his British upbringing. The iconic Union Jack draped around Romesh would also give him an iconic status as a British comedian and therefor contradict any racist comments he has previously received about him not being British.

As we put the large flag away and were to focus on the turban, I handed Romesh the 3 meter long union jack material. He held it for a few seconds before I realised that something wasn’t right. I then told him just to tie the turban on and we’d see if it worked. He looked at me questioning and said “I don’t know how to tie a turban…”. I realised that I had maybe been presumptuous. I had seen him wearing a turban for a TV show once, but it was of course someone else whom had tied it for him. I took out youtube, thinking I was smart. We followed the instructions, but either the problem was that the polyester material doesn’t fold as well as good quality cotton, or it is actually quite hard to tie a good turban. I felt like I was a part of some sit-com and I was the fool, so I soon gave up and called it a day.

Shot for The Guardian Weekend Magazine

Loyle Carner

Loyle Carner has given Hip Hop a good name! This is a man who's created some of the most distinctive Hip Hop music of 2017/2018, yet he's modest, kind and he cares! He himself has suffered with ADHD and Dyslexia and now works with kids that struggle the same issues, helping them get into cooking. Not many people who become successful stay as grounded as Loyle, and it is blatantly obvious when you meet him. The best music is created by people who are passionate and care, so there is no doubt to me that Loyle has only scratched the surface. Being as caring and conscious about others as Loyle is, we are bound to hear more music with deep meaning in the years to come.

Shot for The Observer Food Monthly

Tristram Hunt

The Ex-politician Tristram Hunt is now the director of Victoria and Albert Museum. Having moved from a world of telling people what they want to hear, he has now moved into a world of showing people what they want to see, and judging from the new extension of the Victoria and Albert Museum, (where this shoot mainly took place,) he’s already got something great to show us.

The V&A Museum has always been one of the outstanding British museums. It is one of the ‘must see’ museums, the largest museum of decorative arts and design in the world and it’s just gotten bigger. Not only is there the extension you see at the main museum in Knightsbridge, but it also the Childhood museum in Bethnal Green and will soon open a new section.

Tristram turned up in a suit and tie, still looking more like a politician than a director of artworks. He hasn’t yet swapped the suit jacket with a tank top jumper, the blue/grey tie with a knitted yellow one and the suit trousers with some brown cords. When I asked Tristram if he could take jacket and tie off he replied “It’s the only thing that gives me some authority”.

No doubt that Tristram is facing a mammoth task in the museum world, but what an honour. And from what I can gather, he’s got the likability factor, he’s got the brains and with connections in the political world too so I'm sure he's going to turn the V&A into a roaring success.

Shot for The Observer New Review

Ben Mendelsohn

Ben Mendelsohn is just a cool cat. Not because of trying, but because he doesn’t have to try - and that’s what makes him into a true cool cat! Ben always plays a baddie in films or TV series, and does it so well. He is able to play the stereotypical baddie but also the likeable baddie or the back sheep baddie that you don’t know if you like or not. Which ever baddie is needed for the big screen, Ben will do it with a BAD ASS attitude. SO, was it a surprise when he rocked up to a possible cover shoot for Sunday Times Culture in grey tracksuit bottoms and a tired grey t-shirt? Not at all! If he’d made more of an effort I might have believe that he cared and that it was all an act and no truth to this BAD-ASS character we see on screen. And that’s where the difference lies in Ben’s acting and his actual persona. When you see Ben on screen you often end up disliking him, but in real life he’s that cool guy with a glint in his eye. The guy that has a definite edge, but is fun to be around. Not loud or rude, but calm and on point! Ben is the new Sheriff in town. He’s nonchalant and his demeanour commands respect, but he also plays the Sheriff of Nottingham in the new filmatisation of Robin Hood, and I bet he had the New Forest in Nottingham loosing its pines of fear.

Shot for The Sunday Times Culture

Nicole Kidman

Hollywood don’t have many queens, and achieving a ‘Queen of Hollywood’ status involves having plenty of accolades, longevity and maintaining an aura of unknown about them. Nicole Kidman ticks all the boxes. With Nicole the shoot was originally planned to be a 10 minute one. However, as the day evolved and we were told of Nicole both being struck by the flue and suffering from bad jet lag, the shoot was shortened to a manageable 5 minutes.

The first thing that struck me when she walked into the room was how tall she was, the second was how amazing she looked despite the condition her condition was in, and the third was that it was simply put harder to take a bad picture of her than a good one.

3 films being released in just a few months, one being an Oscar contender, Nicole will comfortable maintain her seat on the throne as one of Hollywood’s Queens as well as perhaps Australia’s most famous person. All titles she’s earned from hard work and nothing passed on through bloodline or money. But she was born in Honolulu and was given the native name Hōkūlani - which in Hawaiian means ‘Heavenly Star’ - so maybe she has had more help getting to where she is today than what we know about?

Shot for The Observer New Review

Jeff Goldblum

I often get asked, “Who would you most like to photograph?” and I always hesitate and at times lack an answer. The question is hard because you want to meet people for different reasons. It may be that meeting someone you respect would be great, but it doesn’t mean they are great to photograph. However, as soon as I heard I was photographing Jeff Goldblum I had a lightbulb moment. A moment when I thought “YES! - That’s a guy I’d love photograph.” I think that pretty much sums up my relationship with Goldblum; I love him, his work, his style, but he doesn’t consciously appear in my mind as a favourite unless mentioned.

When I also heard that he was releasing a Jazz album, I was double excited. This guy could possibly be my dream BFF, (an abbreviation I thought I’d never use). Soon after, I listened to the live recording and I was not disappointed. Jeff isn’t just an actor who’s used his time waiting between sets to tinker with a piano, later to convince himself that he was amazing. No, Jeff’s got it! His album will be well received by jazz musicians and Jeff fans alike.

So, Jeff would surely fall at the last hurdle - the shoot. He could surely not be just an all around good guy with a bucket full of talent? The shoot was to be a jam + interview with the food critic/jazz pianist Jay Rayner. My part was to photograph the two together, jamming, as well as to get a moment with Jeff on his own. I was prepared to be disappointed, as there was surely no way he could impress from the already high expectations I had. I was wrong. The man was cool with a capital “C” and 10 x ‘o’s. A smooth cat, groovy dude, fun gent and handsome as hell! I had a moment standing on top of the piano, photographing Jay and Jeff from above to get all 4 hands, keys and the two pianist in one shot. I was stomping my foot to Herbie Hancock’s Cantaloup Island whilst trying to get a shot. I wanted to be in Jay’s place, crossing arms with Jeff and playing sweet music. Is this a man crush I’m feeling? Blush….

Shot for The Observer Magazine

Michael Moore

I have been a big fan of Michael Moore ever since I saw his documentary series The Awful Truth. After that Bowling for Columbine, Fahrenheit 9/11, and the list continues. One of the things I admire about Michael is not just his moral stance and fight for fairness and equality, but that he is able to fight against a system who’s strength is in intimidation. It is after all the people in power he criticises, and their fight to get to power and stay in power which is picked apart to show how corrupt the system actually is. Now I say ‘the system’ although Michael’s documentaries and criticisms lie mostly with the American system, but I do feel that the faults with the American system is slowly being copied in Europe, and by that I mean especially the UK.

I never considered myself to be a coward and I do stand up for myself or others when I feel something is wrong, but the way Michael Moore does it just means that he has more gravitas than me - and most of us. When I asked him if he ever was nervous, to directly criticise the people in power then he replied, ‘No’. When I said that he must be getting death threats and they must surely scare him then he replied “It’s the quiet ones you need to watch. If someone threatens you then they would normally not do anything”. A point that I am sure he’s right in, but yet, a point that I would never be 100% convinced of if I was in Michael Moore’s shoes. And besides that, how about the quiet ones. How many of them are out there?

Jerry Lewis once sung “Great Balls of Fire” - yet the song for a man like Michael Moore would be more like “Great Balls of Iron”.

His most recent film Fahrenheit 11/9 gives Donald Trump a hard time and looks back at already covered subjects such as guns in the US.

Shot for The New Statesman

 
 

Adeline Grattard

I arrived in Paris on a hot summers day to photograph Adeline Grattard at her restaurant Yam’Tcha. Adeline is a Michelin Star chef known for her fusion between French and Chinese cuisines. Her restaurant is a fine dining restaurant that has used Chinese ways of cooking and combined them with fresh French ingredients and influences. Her recipes are unique and together with her husband Chi Wah, they also run a tea and dim sum takeaway, just around the corner from Yam’Tcha. One of her signature dishes is “The Story of Our Lives” which is a bao stuffed with stilton cheese.

The fine dining restaurant had the definite air of exclusiveness when you entered the door. But besides the Maitre De, the intense concentration by chefs and waiters, the restaurant also had a section dedicated to tea. On day two of our shoot we had the taster menu at Yam’Tcha. We had a different tea to accompany each course. A great way to appreciate the food and drink, without relying on the different flavours of wine, beer and champagne.

Apart from the amazing fresh ingredients Adeline sources, her cooking uses steaming techniques and fiery woks to bring out that Chinese taste. The restaurant decor combined the exclusive gold tones with dreamy, misty wall decorations.

On this shoot I collaborated with the great people at Cook magazine that accompanies the Italian national newspaper Corriere della Sera.

Shot for Cook - Corriere della Sera

Stephen Mangan

As I walk into this North London studio where the shoot with Stephen Mangan was to take place I was struck by studio envy. The studio in question had been an old stable, right on the doorstep of Camden and Regents Park. We were met with was a sizeable reception. This led into two large studio spaces which we walked through to get to the last room, a snooker room on level 1, with an adjacent kitchen. Park Village Studios is the studio of Peter Webb. Evidence of his work with among others, The Rolling Stones, was exhibited on the walls. The studio was cool, had a roughness to it, character, but what made me jealous was the knowledge that this studio had been Peter Webb’s, and his alone for many years. Only in the last few years had he opened the doors for others to rent the space. It’s a photographer’s dream. Without devaluing the quality of Peter’s work I have to say that a space like this would only be available exclusively to one photographer today if he was born into money, won the lottery or is amongst a very few elite advertisement photographers. It was a different time and I am sure Peter Webb can point the finger at many advantageous things of being a photographer today, but space is something that we don’t own anymore.

After I had shrugged off the feeling of jealousy I focused on the shoot. I wanted to use the space but also create a cleaner space that would led itself better to a cover. I set up a nice green colorama and looked around the space for other options. Stephen is one of those actors/comedians in the UK that has a perfect balance on exposure. He selects his involvement perfectly and his humour is understated and poignant. If I ever met him at a party I imagine him in the kitchen with Armando Ianucci, Tamsin Greg, Steve Coogan and maybe Simon Amstell, half hanging out the kitchen window, sharing a bottle of red wine whilst unraveling world politics and conflicts with funny one liners.

Stephen has written and starred in the television sitcom Hang Ups, so having him ‘hung up’ by some helium filled balloons seemed appropriate. It would also give a little nod to his recent performance in the Harold Pinter play The Birthday Party. The balloons would also work as a good prop and a great way to inject colour into the set. The rest of the shoot I chose to use the room we were in, snooker table and all. Stephen was good to work with; understated but fun in real life, much like how you see him in his films. He contributed with the sets and ideas and helped make the shoot a collaborative one, just the way I like it. I’m now peaking into every kitchen when I go to parties, just in case Stephen and friends are hanging out sharing stories.

Shot for Sunday Times Culture